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Forthcoming Events at the October Gallery
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Since first opening its
doors, the October Gallery has hosted many amazing events, including concerts
of music from around the world, performances of dance, poetry readings, talks
on various subjects of artistic and scientific interest and many exciting and
innovative theatrical performances.
To find the October Gallery please check this map.
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Intelligence Now!
Celebrating twenty-five years of the October Gallery
Being a special series of seminars, talks, film-shows and other events to celebrate twenty-five years of innovation in the arts.
Dance Up Close is a new series, giving audiences a rare chance to experience dance in an intimate setting. Set in the Gallery's intimate studio theatre, the spaces are limited, so advance ticket purchases are encouraged.
Club Ecumene series. Continuing lectures and workshops focusing on Ecological and Ecotechnic subjects. (from ecumene, Gk., "the inhabited world".)
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Friday, 5th November
Fireworks! Poets!
19:00 - 22:00 (Doors open at 18:30)
Metaphoric Fireworks of Words
with some of the world's wildest poets: Ira Cohen, Johnny Dolphin, Ruth Padel,
Aidan Andrew Dun, Emmanuel Taiwo Jegede, Simon Vinkenoog and Sebastian Barker
who will also offer a tribute to Tambimuttu - Editor, Poetry London 1948-1983.
Tickets:
£8/£6 concessions.
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Saturday, 6th November
A Seminar on the Transvangarde
10:30 - 13:00 (Doors open at 10:00 for
coffee/tea)
Introduction by John Allen, co-founder
of the October Gallery.
Slide presentation of the work of the October
Gallery by Chili Hawes, Director, and Elisabeth Lalouschek, Artistic Director.
11:30: Round table discussion led by John Picton, Professor Emeritus of African
Art at SOAS, with Augustus Casley-Hayford, Rose Issa, Robert Loder and Sajid
Rizvi.
1-2:00 Lunch with speakers and artists
2-3:00 Guided Tour of exhibition in the compnay of artists of the Transvangarde.
Tickets:
£5.00/£12.00 with
Lunch included.
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Saturday, 6th November
Dance Up Close - Molissa Fenley: Solo works.
19:30 (Doors open at 19:00)
Fenley is one of modern dance's
living legends. After a critically-acclaimed season working with her ensemble
in New York this September, Fenley makes a rare appearance, joining her friends
at the October Gallery to launch Dance Up Close. She is known for her
inventive and energetic style, which has been much praised by audiences and
critics worldwide. Fenley founded her dance company in 1977, and has worked
with composers such as Phillip Glass and John Cage.
Tickets:
£12/£10 concessions.
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Wednesday, 10th November
Club Ecumene - Dragons of the Sea.
19:00 (Doors open at 18:30)
UK premiere of a new film by Marie Arnaud
and Michelle de Coust, about the conception, launch (in 1975), and ecological
work of the Research Vessel Heraclitus. With its multicultural crew, the ferro-cement
Chinese junk is commissioned by Planetary Coral Reef Foundation (PCRF) to map
and assess the health of reefs worldwide. Question and answer session led by
Abigail Alling, Director of PCRF. All proceeds from the event will go to support
the work of the foundation.
Tickets:
£8/£6 concessions.
Saturday, 13th November
Actor/Virtual Actor.
20:00 (Doors open at 19:30)
Theatre of All Possibilities and The Vasulkas
collaborate in a demonstration of new digital art performance work based on
a new type of electronically-generated emoting robotic characters. Theatre of
All Possibilities is a 35-year-old company devoted to the exploration of new
work, performing worldwide. The Vasulkas are pioneers of electronic art and
digital media.
Tickets:
£8/£6 concessions.
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Tuesday, 16th November
Dance Up Close - Step by Step Since the Dawn of Time.
18:30 (Doors open at 18:00)
Houghton, a long-time student of Oriental
movement, is one of the founders of Core of Culture, a non-profit organisation
dedicated to the documentation and preservation of the world's cultural heritage
of ancient dance. This talk will be illustrated by footage that documents the
ancient tantric dance tradition of Ladakh, and Core of Culture's most recent
project to analyse and catalogue the dances of an entire country, the Kingdom
of Bhutan, over the next several years.
Tickets:
£7/£5 concessions.
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Tuesday, 23rd November
Dance Up Close - Transmitting Dance: the Transvangarde of Movement
19:00 (Doors open at 18:30)
If one cannot tell the dancer from the
dance, how can dance be recorded? Each dance tradition has at least one unique
form of notation, but these have never been an artform in themselves. Can video-dance
and new technology break this tradition? Can dead dance forms be resurrected
from written records or is cultural salvage impossible? And is there a universal
language of dance constrained by biology, or do different cultures reinvent
ritual movements independently. With UCL neurobiologist Daniel Glaser chairing
this illustrated discussion, three choreographers from contrasting traditions
will use body doubles to tell their stories.
Tickets:
£6/£4 concessions.
Date and Time: to be announced
1966 - 1976: from DIAS to Punk
19:00 (Doors open at 18:30)
In 1966, artist Gustav Metzger organised
the international Symposium of Destruction in Art (DIAS) in London. It was attended
by many visitors from Europe and America, including Yoko Ono. Ten years later,
punk emerged, highly influenced by the ideas and practices of DIAS. A panel,
including Metzger himself, discusses the development and relationship between
the punk movement and autodestructive art.
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Wednesday, 1st December
Brion Gysin: Perilous Passage
18:30 (Doors open at 18:00)
Gysin began his illustrious
career by being expelled by Breton from the first Surrealist exhibition in Paris,
with Barry Miles and Terry Wilson. Wilson's just-completed book, Perilous Passage
(Synergetic Press, 2004), chronicles the influence and philosophy of Gysin.
"Brion Gysin Loves Ya", a film by Marie Harding documenting Gysin's
first October Gallery exhibition, will also be shown.
Tickets:
£7/£5 concessions.
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Tuesday, 6th December
Robert Beer: The Tantric Buddhist Vision of Death, Conception and Rebirth.
18:30 (Doors open at 18:00)
This illustrated talk will give a brief
introduction to the esoteric and highly ornate iconography employed in Tibetan
Buddhist art, entering into a wide-ranging discussion of the various levels
of symbolic meaning contained within its imagery. Beer, the author of several
authoritative books on the subject, including the monumental work, The Encyclopedia
of tibetan Symbols and Motifs, has studied and practiced tibetan thangka painting
for more than thirty years. Over the last two decades, Beer has concentrated
on an extensive series of iconographical drawings depicting the major deities,
lineage holders, and symbols that occur in tibetan art, and his evident passion
for the subject make him one of only a few western speakers able to traverse
this fascinating yet complex field with an insight gained from detailed practical
experience.
Tickets:
£7/£5 concessions.
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Thursday, 9th December
A.G.E. Blake & John Allen Dialogue:
Structures of Experience and Experience of Structures
18:30 (Doors open at 18:00)
Continuing a thought-provoking series of
dialogues, which began in 1994, Allen and Blake, two outstanding contemporary
thinkers, will exchange views about human existence. John Allen is co-founder
of the Institute of Ecotechnics, inventor of Biosphere 2, engineer, author,
poet, and dramaturge; Anthony Blake is a philosopher, specifically interested
in the history and philosophy of science and practical metaphysical and educational
systems, author of A Seminar on Time, The Intelligent Enneagram and Structures
of Meaning and founder of DuVersity, a non-profit organisation hosting workshops
and seminars.
Tickets:
£6/£4 concessions.
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Sunday, 12th December
Dance Up Close: Jeux - Nijinsky's Bloomsbury Ballery
Premiere of the new reconstruction
18:30 (Doors open at 18:00)
A unique performance by 3 ballet dancers.
Originally performed in 1911, Nijinsky's lost ballet, Jeux, has been newly reconstructed
based on original choreographic notes by Nijinsky, discovered in December of
last year. Dance historians Millicent Hodson and Kenneth Archer have done meticulous
detective work, finally proving that this ballet, long called his "Bloomsbury
Ballet", was indeed about Virginia Woolf and Vanessa Bell, and faithfully
reconstructing Nijinsky's choreography.
2 pm - £15 Performance and short presentation of history of the
ballet, by Millicent Hodson and Kenneth Archer.
4 pm - £25 Performance with full presentation by Hodson and Archer,
followed by high tea and champagne.
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Other Events held earlier
this year...
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'nother Voice
A Season of Australian Films

Running concurrently with 'nother side, an exhibition of work by the young Aboriginal artist Rosella Namok, the October Gallery is proud to present 'nother voice, a season of films honouring the achievements of Australia's Indigenous actors, writers and directors. Until the 1970s, cinematic representation of Aboriginal people was limited to ethnographic films, or melodramas such as Charles Chauvel's Jedda, which perpetuated colonial stereotypes. Jedda has nevertheless been included in this season, as it marks the first casting of Aboriginal actors in leading roles and an attempt to explore cultural difference, albeit from a white perspective. In recent decades, the medium of film has increasingly enabled Aboriginal people to speak with their own voice. Indigenous filmmakers are still in a minority and most productions are a collaborative effort between Indigenous and non-Indigenous people.
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Sunday 19th September
Radiance (1998)
Dir: Rachel Perkins. 83 min.
Deborah Mailman, Rachel Maza, Trisha Moreton -Thomas. Nominated for best film
1998 AFI awards. Deborah Mailman won Best Actress in her screen debut.
In Rachel Perkin's adaptation of Louis Nowra's play three sisters gather in their childhood home in far north Queensland for their mother's funeral. There are family secrets and problems to be resolved before their mother can finally be laid to rest.
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Monday 20th September
Double Bill: Night Cries - A Rural Tragedy (1990)
Dir: Tracey Moffatt. 17 min.
Selected for official competition at the 1990 Cannes Film Festival.
A middle aged Aboriginal woman nurses her invalid white mother. Moffatt has taken two protagonists from Jedda, and placed them 30 years in the future. The roles are reversed. The colourful and highly stylised set recalls the work of Hermannsburg watercolourist Albert Namatjira.
followed by:
Jedda (1955)
Dir: Charles Chauvel. 101 min.
Ngarla Kunoth and Robert Tudawali. First Australian feature to be selected for
Cannes.
Director Charles Chauvel cast Aboriginal actors Ngarla Kunoth and Robert Tudawali in leading roles. Jedda is a young Aboriginal girl raised by a white family on a Northern Territory cattle station. She is attracted to a young Aboriginal man (Tudawali) who kidnaps her and is subsequently rejected by his people. Jedda is trapped between two worlds, belonging to neither. This first Australian colour feature is a melodramatic white interpretation of Aboriginal people during the 1950s.
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Tuesday 21st September
Australian Rules (2002)
Dir: Paul Goldman 98 min.
Nathan Phillips, Luke Carroll, Lisa Flanagan.
Australian Rules is based on the novel Deadly Unna? by Philip Gwynne. Blacky is from a dysfunctional and abusive white family. His Aboriginal mate Dumby lives just outside town on a mission and the two play for the local football team. The film is set in an isolated coastal town in South Australia where simmering racial tensions explode with tragic consequences.
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Wednesday 22nd September
Beneath Clouds(2003)
Dir: Ivan Sen. 87 min.
Danielle Hall, Damian Pitt. Awarded Best Debut Film Award - Berlin Film Festival
(2002) Best Young Actress in a Leading Role - Berlin Film Festival (2002).
Lena rejects her Aboriginal family, running away from the isolated country town in search of her Irish father. She teams up with Vaughn, a petty criminal who escapes jail to see his dying mother. The film follows their journey hitchhiking to Sydney and their quest for identity and love.
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Tuesday 5th October
Black Chicks Talking (2002)
Dir: Leah Purcell. 52 min.
Black Chicks Talking screened to full houses at the 2002 Sydney Film Festival. It won the audience vote award for the most popular documentary and the most popular film overall at the 2002 Brisbane Film Festival, and was the only non-American documentary film selected to screen in competition at the inaugural Tribeca Film Festival 2002 held in New York. Leah Purcell's documentary draws together five Indigenous women from diverse backgrounds for a girl's night out, exploring what it means to be a woman in contemporary Aboriginal Australia.
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Tuesday 5th October
Rabbit Proof Fence (2001)
Dir. Philip Noyce 100 min.
Three young Aboriginal girls forcibly removed from their parents are taken to a settlement 1,500 miles away to be trained as domestic servants. Kenneth Brannagh stars as West Australian Chief Protector of Aborigines who tries to recapture them with the aid of a tracker (David Gulpilil).
The October Gallery would like to thank the following organisations for their help in mounting this programme of films
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Diaspora Music Village Festival Club at the October Gallery
To coincide with the 23rd June to 31st July exhibitions of paintings by Frantz Lamothe and photographs by Leah Gordon with metalworks from Haiti, the October Gallery will also play host to the 2004 Music Village Festival Club. The Music Village Lunchtime Festival Club features a stimulating mix of talks on Culture and Migration by expert commentators; recitals by some of London's best diasporic storytellers and poets: and a series of informal concerts by visiting international artists all in the intimate setting of the Gallery's beautiful open-air courtyard. The Lunchtime Events are composed of three events daily:
Talks: 12:15 - 12:45
pm
Spoken Word: 1:15 - 1:30 pm
Concerts: 1:30 - 2:00 pm
Admission to these events is FREE
| Wednesday 23rd June |
12:15 - 12:45 Talk: Melanie Abrahams: Diaspora Literature; exploring myths, magic and illusions of contemporary writers and writing 1:15 - 1:30 Spoken Word: Tuup: Tales from Africa and the Caribbean 1:30 - 2pm Concert: Maalem
Abdenbi and Sidi Mimoun Group |
| Thursday 24th June | 12.15
- 12.45 Talk: Laudan Nooshin and Tina Ramnarine Music Tradition
and Innovation in the Diaspora
1:15 - 1:30 Spoken Word: A Spell in Time - Storytelling, ritual, music and song from Bulgarian myth and Folklore 1:30 - 2pm Concert: Yarehma (Klezmer music from Krakow, Poland) |
| Friday 25th June | 12:15 - 12:45
Talk: Martin Short - A Well-Kept Secret: Palestinian and other Arab
achievers in Britain
1:15 - 1:30 Spoken Word: Leah Thorn - The Art of Dis/appearing 1:30 - 2pm Concert: Al Ahmady Group (Traditional Yemeni music from Mukalla, Yemen) |
| Tuesday 29th June | 12.15-12.45 Talk:
Debjani Chatterjee - Ghazals and Bengali songs in Translation
1:15 - 1:30 Spoken Word: Kathy Hall - Transmigration - An Encounter with Foxes 1:30 - 2pm Concert: Green Mamba (Isicathamiya Choir, Johannesburg, South Africa) |
| Wednesday 30th June | 12:15 - 12:45
Talk: Bernard Canavan - The Irish Diaspora
1:15 - 1:30 Spoken Word: Vergine Gulbenkian - Armenian Tales 1:30 - 2pm Concert: Skiffle Bunch Steelband and Tassa Drummers (Trinidad and Tobago) |
| Thursday 1st July | 12:15
-12:45 Talk: Harry Cumberbatch The Power Writers: Five African
Writers in 18th Century London
1:15 - 1:30 Spoken Word: Kate Corkery - Stories from Ireland 1.30-2pm Concert: Shyam Brass Band (Jabalpur, India) |
| Friday 2nd July | 12:15
- 12:45Talk: In Conversation with Gurinder Chadha, Director of
Bend it like Beckham
1:15 - 1:30 Spoken Word: Mr Gee - Poetically on time, in a world of uneducated rhymes 1.30-2pm Concert: Maalem Abdenbi and Sidi Mimoun Group (Morocco) |
Doors open 30 minutes before all events, refreshments are available. Call (020) 7242 7367 for tickets and information.
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On Tuesday, 9th March,
the October Gallery presents an evening reception for
Steina & Woody Vasulka
with an informal presentation of
spontaneity and fun....

For forty years, the American
electronic artists Steina and Woody Vasulka have consistently produced original
art
which has defined the electronic age.
This is a rare chance to meet these seminal artists.
Two Sasha Pushkin Piano Concerts:

Sasha Pushkin is a Berlin-based composer and performer, who originally hails from St. Petersburg. He is well-known for his dynamic avant-garde piano compositions. Following his sell-out concert earlier this year, Sasha returns to the October Gallery Theatre space for two very special solo performances on Friday 16th and Saturday 17th of January.
Tunde Jegede in concert:

Tunde Jegede in concert with
Wali Cham Jobarteh and
Al Hagie Pampo Jobarteh on Kora
and
Maya Jobarteh on Kora and Guitar.
All were students of the late master Kora player Amadu Bansang Jobarteh and are now well-known musicians in their own right
21st January, 2004
7 :30 pm (Doors open 7pm)
. Refreshments.
Tickets:
£5 on the door
for more information about Tunde Jegede's
music and CDs: www.tundejegede.com/tunde-biog.html
In Association with Peacock
Productions:
The October Gallery presents
Cuarangi the Limbless One

Tibetan Image by Robert Beer
A Tale of Enchantment
Friday 30th January and
Saturday 31st
7 :30 pm (Doors open 7pm) . Refreshments.
with
a Matinee Performance on Sunday, 1st February,2004 at 4:00pm
Tickets: £10 / £6 conc.
Simon
Green - SOLO
with Musical Director David Shrubsole

Simon Green brings his internationally acclaimed cabaret - a collection of music, lyrics and poetry from names as diverse as Coward, Lennon & McCartney, Tolkein, Auden and Sondheim - to the October Gallery Theatre for three days. Take this opportunity to enjoy the wit and style of some of the greatest writers of the twentieth century in these unique surroundings.
Monday, 2nd, Tuesday,
3rd and Wednesday, 4th of January
8:00 pm (Doors open 7pm) . Refreshments.
Tickets:
£15
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